{"id":18895,"date":"2018-12-10T11:21:29","date_gmt":"2018-12-10T11:21:29","guid":{"rendered":"http:\/\/www.ceo-na.com\/?p=18895"},"modified":"2018-12-17T23:43:30","modified_gmt":"2018-12-17T23:43:30","slug":"an-industry-yet-to-defeat-piracy","status":"publish","type":"post","link":"http:\/\/servidor-mxigen1.com\/ceona-antiguo\/ceo-life\/art-culture\/an-industry-yet-to-defeat-piracy\/","title":{"rendered":"The music in our lives"},"content":{"rendered":"

These are the key findings in IFPI\u2019s latest Music Consumer Insight Report.<\/p>\n

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We are passionate about our music. At least that\u2019s according to\u00a0IFPI\u2019s latest Music Consumer Insight Report.<\/a><\/p>\n

According to information from the index, consumers embrace\u00a0music at all points of the day, as 17.8 hours are spent listening to music each week globally.<\/p>\n

These are some key findings from the report:<\/p>\n<\/div>

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    Pop is the world\u2019s favorite genre with 64% of responses from the surveyed audience. Rock is #2 with 57%. Dance\/Electronic\/House comes in third place with 32% and S<\/p>\n<\/div><\/li>

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    Latin American consumers engage with local genres. For example, 55% of respondents in Mexico listen to Latin Music, while 43% of the surveyed folks in Argentina listen to Latin genre.<\/p>\n<\/div><\/li>

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    27%\u00a0of total music listening time is on mobile devices. 58% of 16-24 year olds would choose a smartphone when asked \u201cif you only had one device to listen on…”<\/p>\n<\/div><\/li><\/ul>

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      Latin America holds the highest rate of smartphone use for music.\u00a075% of users in Latin America listen to music posted on social media.<\/p>\n<\/div><\/li>

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      15% of consumers globally are likely to buy a smart speaker in the next 12 months. This public is twice as likely to use paid audio streaming.<\/p>\n<\/div><\/li>

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      47% of time spent listening to on-demand music is on YouTube. 35% say a main reason for not using paid audio subscription is that anything they want to listen to is on Youtube.<\/p>\n<\/div><\/li>

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      Globally, users use social media to discuss music. 35% of Whatsapp users share links to music using the app. 23% of Instagram users talk about music on the service. 30% of Facebook users share links music using the app.<\/p>\n<\/div><\/li><\/ul>

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        Radio is resilient, 86% as\u00a0of consumers listen to music on the radio, as 4.4\u00a0hours are spent listening to radio each week globally.<\/p>\n<\/div><\/li>

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        38% of global consumers listen to music in copyright infringing ways.<\/p>\n<\/div><\/li>

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        17% of all consumers use search engines to locate infringing content.<\/p>\n<\/div><\/li>

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        96%\u00a0of consumers in China listen to licensed music, with an estimate 15.4 hours\u00a0listening to music each week.<\/p>\n<\/div><\/li>

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        Local culture influences consumers’ listening habits, with many enjoying domestic genres. For example,\u00a0Two-thirds of consumers in Japan listen to J-Pop with 29% listening to music from anime.\u00a062% of consumers in Korea like K-Pop (and 22% listen to K-Trot), and in France, 69% listen to Vari\u00e9t\u00e9 Fran\u00e7aise.<\/p>\n<\/div><\/li><\/ul>

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        IFPI conducted global research in April-May 2018 which explored the way consumers engage and access music across licensed and unlicensed services.<\/p>\n

        The field work was carried out by AudienceNet amongst a demographically representative sample of the online population aged 16-64 in the following territories: Argentina, Australia, Brazil, Canada, France, Germany, Italy, Japan, Mexico, Netherlands, Poland, Russia, South Africa, South Korea, Spain, Sweden, United Kingdom and United States.<\/p>\n

        These twenty territories accounted for 91.3% of global recorded music market revenues in 2017.<\/p>\n<\/div>

        <\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

        These are the key findings in IFPI\u2019s latest Music Consumer […]<\/p>\n","protected":false},"author":15,"featured_media":19601,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[324,256,16,1441,561],"class_list":["post-18895","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-culture","tag-chief-executive-officer","tag-china","tag-music","tag-piracy","tag-streaming"],"_links":{"self":[{"href":"http:\/\/servidor-mxigen1.com\/ceona-antiguo\/wp-json\/wp\/v2\/posts\/18895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/servidor-mxigen1.com\/ceona-antiguo\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/servidor-mxigen1.com\/ceona-antiguo\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/servidor-mxigen1.com\/ceona-antiguo\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"http:\/\/servidor-mxigen1.com\/ceona-antiguo\/wp-json\/wp\/v2\/comments?post=18895"}],"version-history":[{"count":8,"href":"http:\/\/servidor-mxigen1.com\/ceona-antiguo\/wp-json\/wp\/v2\/posts\/18895\/revisions"}],"predecessor-version":[{"id":19602,"href":"http:\/\/servidor-mxigen1.com\/ceona-antiguo\/wp-json\/wp\/v2\/posts\/18895\/revisions\/19602"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/servidor-mxigen1.com\/ceona-antiguo\/wp-json\/wp\/v2\/media\/19601"}],"wp:attachment":[{"href":"http:\/\/servidor-mxigen1.com\/ceona-antiguo\/wp-json\/wp\/v2\/media?parent=18895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/servidor-mxigen1.com\/ceona-antiguo\/wp-json\/wp\/v2\/categories?post=18895"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/servidor-mxigen1.com\/ceona-antiguo\/wp-json\/wp\/v2\/tags?post=18895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}